Hidden on first page will do just that: hide the text on the first page on which it is placed. If Repeat on were to be unchecked, the text would only appear on a single page (like titles, composer name, copyright notices, and the like). This is where you tell Sibelius to repeat the text on left pages, right pages, or all pages. In this case, the text will be aligned to the inside edge of the page. This is where you tell Sibelius where on the page to place your header. The Snap to top or bottom of page radio button is selected, meaning that the text will always appear at the position on the page you specify. You can see this for yourself by going to Text > Styles > Edit Text Styles, finding a style like Header or Header (after first page) in the list, and click Edit…. But unlike tempo text or rehearsal marks, which appear at positions relative to the music, headers appear at fixed positions on the page. Headers are a type of system text - the kind of text that appears in every part. Let’s get down to business and go over headers, footers, and footnotes - three types of text you’re likely to encounter on the margins of the page. This relationship is not possible based on lifespan dates.An important part of printed music is the text that doesn’t appear within the staff lines at all. You have chosen this person to be their own family member. Year should not be greater than current year Continuing with this request will add an alert to the cemetery page and any new volunteers will have the opportunity to fulfill your request. Sorry! There are no volunteers for this cemetery. GREAT NEWS! There is 1 volunteer for this cemetery.

This photo was not uploaded because you have already uploaded 15 photos to this memorial This photo was not uploaded because this memorial already has 30 photos This photo was not uploaded because you have already uploaded 5 photos to this memorial This photo was not uploaded because this memorial already has 20 photos You may not upload any more photos to this memorial After Sibelius' death, the house where he was born, in the southern Finnish town of Hämeenlinna, became a museum as did his former home, named 'Ainola,' in the town of Järvenpää. Other national treasures left by the great composer include the music Sibelius based on well known works of the theatre, such as 'King Kristian II,' 'Death,' 'Pelleas and Melisande' and 'The Tempest,' as well as his numerous works for the piano and violin, his musical settings of poetry, his choral works and songs. His symphonic poem, 'Finlandia,' completed in 1899, became a symbol of Finland's bid for independence. The pearl of his small output of chamber music is the profound 'Voces Intimae,' written for string quartet in 1909. The core of his musical output, which was diverse and stylistically original, were his orchestral works, notably his seven symphonies written between 18, and symphonic poems such as the four-part 'Lemminkäinen' series, 'Pohjola's Daughter' and 'Tapiola.' His violin concerto of 1904 is one of the most demanding and one of the most popular of its genre. His 'Kullervo Symphony,' completed in 1892, started the period when much Finnish music was based on the legends of the national epic, 'The Kalevala.' As a composer, Sibelius gradually turned to more international themes and greater internalisation. After Sibelius' death, the house where he was born, in the southern Finnish town of Hämeenlinna, became a museum as did his former home, named 'Ainola,' in the town of Järvenpää.įinnish Composer.

Sibelius staff name left border